Reviews

The Medium – the minimalism at its finest

Izabela Besztocha
Uncategorized

Cyberpunk 2077 – Behind the Score

Konrad Belina-Brzozowski
Interviews

Bobby Tahouri – music needs to support the narrative

Izabela Besztocha
News

Austin Wintory’s The Pathless theme analysis

Izabela Besztocha
Articles

Affordable Game Music

Mariusz Borkowski
Reviews

IRON HARVEST 1920 – the great bittersweet symphony of alternate history

Maciej Baska

Popular

Sekiro: Shadows Die Twice OST on CD

Would the music for Cyberpunk 2077 be released on vinyl and cassette types?

Control – making you feel lost in an endless place

Rage 2 – this is a soundtrack of humanity

How the original PlayStation startup sound was made

Little Nightmares Original Soundtrack

Hellblade: Senua’s Sacrifice – pure emotion and art-direction

Prince of Persia: The Two Thrones Soundtrack

Top 10 – ranking of the best tracks of Silent Hill series

Reviews

The Medium – the minimalism at its finest

The Dark Pictures Anthology: Little Hope – there is no hope

Battletoads – guitar wildness

IRON HARVEST 1920 – the great bittersweet symphony of alternate history

The Last of Us Part 2 – music of revenge and redemption

Jade Empire – beaten a lot of Hollywood soundtracks

Disintegration – cosmic symphony and spatial electronic

Death Stranding – dangerously close to what we now experience

Blair Witch – is a great reflection of what might be hiding deep into your own mind

The Dark Angel Symphony – a nostalgic replication

News

Austin Wintory’s main themes analysis

Izabela Besztocha
Articles

Dead Space – a musical Necromorph

Izabela Besztocha
News

Austin Wintory talks to Gustavo Santaolalla

Izabela Besztocha
News

Watch the online stream with composers and vocalists

Izabela Besztocha
Articles

Why is sound so important for horror games?

Jonathan Wachoru

Poll

The best albums of 2020?

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Album of the week

Battlefield V Original Soundtrack