Reviews

Genesis Noir — jazz is not dead

Maciej Baska
Articles

Game Music and the Classical Hollywood soundtracks

Peter Wollesen
Articles

How to turn your passion for video game music into a career?

Jon Everist
Articles

REDOUT – A Clash Of Speed and Time

Aram Shahbazians
News

Why do game music composers don’t get all of their royalties?

Maciej Baska
Interviews

Vinyl revolution or a sentiment towards old-school titles?

Mariusz Borkowski

Popular

Sekiro: Shadows Die Twice OST on CD

What is elegance, and why are video game composers obsessed with it?

Top 10 – ranking of the best tracks of Silent Hill series

[Sold out] Frostpunk Complete Soundtrack – vinyl

How the original PlayStation startup sound was made

From JOURNEY to ERICA – A primer on interactive music

Top 10 – ranking of the best tracks of the BioShock series

Rage 2 – this is a soundtrack of humanity

Mikołaj Stroiński as the composer for Chernobylite

Reviews

Genesis Noir — jazz is not dead

Grindstone – pagan synthwave

Kentucky Route Zero – a psychedelic night’s dream

Resident Evil Village – welcome to the village of shadows

Papetura – the anatomy of the paper sound

Narita Boy – an alternate life of ‘80s music

Little Nightmares II – a possessed music box

Metamorphosis – smells like Kafka’s spirit

The Medium – the minimalism at its finest

The Dark Pictures Anthology: Little Hope – there is no hope

News

Mikołaj Stroiński as the composer for Chernobylite

Izabela Besztocha
Articles

From the integrated circuit virtuosos to the real orchestra – music in games from 1970 to 2000. Part I

Maciej Baska
Interviews

Salvador – I wanted the game to sound more like a movie

Maciej Baska
Reviews

Narita Boy – an alternate life of ‘80s music

Maciej Baska
Video

We choose the album of the 2020!

Mariusz Borkowski

Poll

The best albums of 2020?

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Album of the week

Battletoads – guitar wildness