Austin Wintory | Gamemusic

Interviews

Garry Schyman – I’ve gotten to satisfy my love for composing through game scores

Ignas Vieversys 05.10.2022

Reviews

Cult Of The Lamb – “knock, knock, knockin’ on cult’s door”

Maciej Baska 03.10.2022

Articles

Skyward Sword: dropping the orchestra into Zelda

Fanny Rebillard 05.09.2022

News

Video Games Are Finally Getting its Own Grammy Award – Is It A Big Win For Video Game Music?

Ignas Vieversys 28.06.2022

Articles

Why is Alien: Isolation the best game in the Alien universe?

Izabela Besztocha 14.12.2021

Articles

How to support independent artists in lockdown

Maciej Baska 01.12.2021

Articles

What is elegance, and why are video game composers obsessed with it?

Pearch Charlie 01.09.2021

Articles

From JOURNEY to ERICA – A primer on interactive music

Austin Wintory 17.08.2021

Cult Of The Lamb – “knock, knock, knockin’ on cult’s door”

Rollerdrome – synthwave beats to ride for

Cuphead: The Delicious Last Course – a big band jukebox

Hades – land of the dead listens to hard rock, lute and rattles

Ori and the Will of the Wisps – a complete, breathtaking and matured work of art

Disco Elysium – dirty wastelands of rock and blinding panoramas of tuneful lights

Divinity: Original Sin 2 – overflowing with magic

Streets of Rage 4 – every track a treasure

Final Fantasy VII Remake – musically exploited

Dead Cells – good from start to finish, to start, to finish…