Jon Everist | Gamemusic

Articles

The Beauty of Limitation

Michael Bross 12.10.2022

Interviews

Garry Schyman – I’ve gotten to satisfy my love for composing through game scores

Ignas Vieversys 05.10.2022

Reviews

Cult Of The Lamb – “knock, knock, knockin’ on cult’s door”

Maciej Baska 03.10.2022

Articles

How to turn your passion for video game music into a career?

Jon Everist 16.05.2021

Interviews

Jon Everist – I do believe that creativity comes from consistent exertions of work

Maciej Baska 08.07.2020

Reviews

Disintegration – cosmic symphony and spatial electronic

Maciej Baska 08.07.2020

Interviews

Jon Everist – we are far in the future with amazing technology

Izabela Besztocha 14.01.2020

News

Gamemusic Readers’ Choices for Album of the Year 2019

Mariusz Borkowski 08.01.2020

Asterigos: Curse Of The Stars – an orchestra that is both, the sea and the river

Cult Of The Lamb – “knock, knock, knockin’ on cult’s door”

Rollerdrome – synthwave beats to ride for

Cuphead: The Delicious Last Course – a big band jukebox

Hades – land of the dead listens to hard rock, lute and rattles

Ori and the Will of the Wisps – a complete, breathtaking and matured work of art

Disco Elysium – dirty wastelands of rock and blinding panoramas of tuneful lights

Divinity: Original Sin 2 – overflowing with magic

Streets of Rage 4 – every track a treasure

Final Fantasy VII Remake – musically exploited