Mick Gordon | Gamemusic

Interviews

Sam Webster — I’d never made music for anything more than a hobby

Pearch Charlie 10.09.2021

Articles

What is elegance, and why are video game composers obsessed with it?

Pearch Charlie 01.09.2021

Articles

From JOURNEY to ERICA – A primer on interactive music

Austin Wintory 17.08.2021

News

The gamemusic editorial staff nominations to the album of the year 2020

Mariusz Borkowski 15.02.2021

News

Mick Gordon’s Heavy Metal Choir for Doom Eternal

Izabela Besztocha 08.03.2020

News

Black metal voices of Doom Eternal

Jan Szafraniec 24.01.2020

News

Painful truths of composing for games — composers at GDC 2017

Jan Szafraniec 18.11.2019

News

Wolfenstein: Youngblood’s Soundtrack Release Resembles A Cassette Mixtape

Marek Domagała 04.08.2019

Genesis Noir — jazz is not dead

Grindstone – pagan synthwave

Kentucky Route Zero – a psychedelic night’s dream

Resident Evil Village – welcome to the village of shadows

Papetura – the anatomy of the paper sound

Narita Boy – an alternate life of ‘80s music

Little Nightmares II – a possessed music box

Metamorphosis – smells like Kafka’s spirit

The Medium – the minimalism at its finest

The Dark Pictures Anthology: Little Hope – there is no hope