Mick Gordon | Gamemusic

Interviews

Garry Schyman – I’ve gotten to satisfy my love for composing through game scores

Ignas Vieversys 05.10.2022

Reviews

Cult Of The Lamb – “knock, knock, knockin’ on cult’s door”

Maciej Baska 03.10.2022

Articles

Skyward Sword: dropping the orchestra into Zelda

Fanny Rebillard 05.09.2022

News

The gamemusic editorial staff nominations to the album of the year 2020

Mariusz Borkowski 15.02.2021

News

Mick Gordon’s Heavy Metal Choir for Doom Eternal

Izabela Besztocha 08.03.2020

News

Black metal voices of Doom Eternal

Jan Szafraniec 24.01.2020

News

Painful truths of composing for games — composers at GDC 2017

Jan Szafraniec 18.11.2019

News

Wolfenstein: Youngblood’s Soundtrack Release Resembles A Cassette Mixtape

Marek Domagała 04.08.2019

Cult Of The Lamb – “knock, knock, knockin’ on cult’s door”

Rollerdrome – synthwave beats to ride for

Cuphead: The Delicious Last Course – a big band jukebox

Hades – land of the dead listens to hard rock, lute and rattles

Ori and the Will of the Wisps – a complete, breathtaking and matured work of art

Disco Elysium – dirty wastelands of rock and blinding panoramas of tuneful lights

Divinity: Original Sin 2 – overflowing with magic

Streets of Rage 4 – every track a treasure

Final Fantasy VII Remake – musically exploited

Dead Cells – good from start to finish, to start, to finish…