Outlast | Gamemusic

Articles

Composing during Covid — Cuphead: The Delicious Last Course

Kristofer Maddigan 03.08.2022

Interviews

Kevin Schulz – Indie games can be very diverse and unique and don’t have to appeal to the masses like an AAA game

Mariusz Borkowski 25.07.2022

Articles

The Composer As Empath

Russell Brower 18.07.2022

Articles

How To Listen To Horror Music, Pt. 2

Marek Domagała 29.05.2018

Articles

How To Listen To Horror Music, Pt. 1

Marek Domagała 02.05.2018

Articles

Sound design in horror games

Izabela Besztocha 29.03.2018

Interviews

Samuel Laflamme – i’m not a hardcore gamer neither a horror fan

Izabela Besztocha 15.12.2017

Articles

Outlast – music that makes the player suffer

Izabela Besztocha 01.06.2017

Hades – land of the dead listens to hard rock, lute and rattles

Ori and the Will of the Wisps – a complete, breathtaking and matured work of art

Disco Elysium – dirty wastelands of rock and blinding panoramas of tuneful lights

Divinity: Original Sin 2 – overflowing with magic

Streets of Rage 4 – every track a treasure

Final Fantasy VII Remake – musically exploited

Dead Cells – good from start to finish, to start, to finish…

Stonefly – where electronic music meets organic environment

Dying Light 2: Stay Human – musical parkour

The Dark Pictures Anthology: House of Ashes – yet another complaint-free horror OST