Outlast | Gamemusic

Interviews

Garry Schyman – I’ve gotten to satisfy my love for composing through game scores

Ignas Vieversys 05.10.2022

Reviews

Cult Of The Lamb – “knock, knock, knockin’ on cult’s door”

Maciej Baska 03.10.2022

Articles

Skyward Sword: dropping the orchestra into Zelda

Fanny Rebillard 05.09.2022

Articles

How To Listen To Horror Music, Pt. 2

Marek Domagała 29.05.2018

Articles

How To Listen To Horror Music, Pt. 1

Marek Domagała 02.05.2018

Articles

Sound design in horror games

Izabela Besztocha 29.03.2018

Interviews

Samuel Laflamme – i’m not a hardcore gamer neither a horror fan

Izabela Besztocha 15.12.2017

Articles

Outlast – music that makes the player suffer

Izabela Besztocha 01.06.2017

Cult Of The Lamb – “knock, knock, knockin’ on cult’s door”

Rollerdrome – synthwave beats to ride for

Cuphead: The Delicious Last Course – a big band jukebox

Hades – land of the dead listens to hard rock, lute and rattles

Ori and the Will of the Wisps – a complete, breathtaking and matured work of art

Disco Elysium – dirty wastelands of rock and blinding panoramas of tuneful lights

Divinity: Original Sin 2 – overflowing with magic

Streets of Rage 4 – every track a treasure

Final Fantasy VII Remake – musically exploited

Dead Cells – good from start to finish, to start, to finish…