sound design | Gamemusic

Articles

The Beauty of Limitation

Michael Bross 12.10.2022

Interviews

Garry Schyman – I’ve gotten to satisfy my love for composing through game scores

Ignas Vieversys 05.10.2022

Reviews

Cult Of The Lamb – “knock, knock, knockin’ on cult’s door”

Maciej Baska 03.10.2022

Articles

Can the soundtrack push potential buyers towards purchasing a video game?

Maciej Baska 28.09.2021

News

How the sounds for Dying Light 2 are being made

Izabela Besztocha 20.07.2021

Articles

Why is sound so important for horror games?

Jonathan Wachoru 03.10.2020

News

Sound design in The Last of Us Part 2

Izabela Besztocha 18.07.2020

News

Designing the music and sound for The Outer Worlds

Izabela Besztocha 27.04.2020

Asterigos: Curse Of The Stars – an orchestra that is both, the sea and the river

Cult Of The Lamb – “knock, knock, knockin’ on cult’s door”

Rollerdrome – synthwave beats to ride for

Cuphead: The Delicious Last Course – a big band jukebox

Hades – land of the dead listens to hard rock, lute and rattles

Ori and the Will of the Wisps – a complete, breathtaking and matured work of art

Disco Elysium – dirty wastelands of rock and blinding panoramas of tuneful lights

Divinity: Original Sin 2 – overflowing with magic

Streets of Rage 4 – every track a treasure

Final Fantasy VII Remake – musically exploited